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JuicedLink RA222: The BEST Camera Preamp


If you want to take your audio to the next level, then a preamp is one of the most important things you can add to your kit! After owning the most popular modern choice for some time, we came across many problems using it. And what sprung to mind was this gem from the early 2010's that was on every video makers essentials list...until it was discontinued! The preamp is the Juicedlink RA222 and we had to get one to see how well it would hold up against the modern imitations! Shot using the Kinefinity Terra 4K + Sigma 18-35MM f/1.8 Other gear: KineEnhancer II Canon EF Adapter Manfrotto 190 Tripod with fluid head Smallrig Cage Atmos Ninja Flame Rode NTG4+ Shotgun Mic Audio Technica ATH M50X Headphones Stay up to date with our new videos and subscribe: 🤍 Video production: Directed, produced and edited by Visual Line Ltd | Video production company in Kent: 🤍 🤍 🤍 🤍 🤍

JuicedLink Riggy Assist Review


Today we are looking at the amazing JuicedLink Riggy Assist Preamp. Find all JuicedLink models here: 🤍

JuicedLink Little DARling: Sort of Like Wireless But Cheaper


Wireless lavalier kits are expensive. And they are sometimes finicky. They drop the audio when the transmitter is too far from the receiver. RF interference can cause problems as well. Wireless has its place, for sure, but sometimes you also need a backup. Or perhaps you don’t have the budget for a wireless system just yet. This is where the JuicedLink Little DARling comes in. It is a tiny little audio recorder which looks very much like a wireless lavalier microphone transmitter body pack. But instead, it records the audio from the lavalier microphone. Then when you’re done shooting, you sync the audio recorded by the DARling to your video clip in your video editing app. This entire episode was recorded with the Little DARling and a Sanken COS-11D lavalier microphone hidden under my shirt collar. For this review, B&H lent me the JuicedLink Little DARling DAR123. If you’d like to improve your sound recording skills for film, please have a look at our Sound Recording for Video course over at 🤍 Visit us at 🤍 for more updates on how to improve your lighting and sound for video. Also be sure to subscribe to get new weekly episodes! Gear mentioned in or used to record this episode: ————————————————————————————— JuicedLink Little DARling (DAR123) B&H Photo: 🤍 ————————————————————————————— Sanken COS-11D Lavalier Microphone B&H Photo: 🤍 ————————————————————————————— Also shot with Aputure Light Storm LS1s LED Light, Aputure Light Storm COB 120t (for the product shots), and Nikon D750 ————————————————————————————— Aputure Light Storm LS1s LED Light Amazon: 🤍 B&H Photo: 🤍 ————————————————————————————— Nikon D750 Amazon: 🤍 B&H Photo: 🤍 ————————————————————————————— Aputure Light Storm COB120t LED Hard Light Amazon: 🤍 B&H Photo: 🤍 ————————————————————————————— Copyright 2016 by Curtis Judd Ethics statement: Some of the links above are Amazon.com, B&H Photo, or other affiliate links.

JuicedLink Riggy Micro RM333 - Review


JuicedLink Riggy Micro RM333 Review Here is my review of the JuicedLink Riggy Micro RM333 designed primarily for use with todays HDDSLRs. So, here are the things that I think are really cool and unique about the Riggy-Micro RM333: - So small and light, since it rips out the stuff that you don't need anymore (meters, AGC Disable, headphones) with the new 5DMKIII/D800, since they now have everything you need for quality audio (manual control, meters visible while recording, headphones). - Super long battery life, since you don't need to power the meter or headphones. Features to extend battery life, such as selective power down (when not using all the XLR inputs) and finer granularity in the low battery indicator with the Alkaline/LithiumPolymer threshold switch. - For the press videojournalist, the Riggy-Micro really helps lighten your load with a small/light preamp and you won't need to carry more spare batteries than necessary. - Camera overload protection with Audio Output Bracketing Add the RB401 (optional mount) when mounted to the bottom of your camera to attach mics and wireless receivers. So small and light, it can mount to the top of your camera on the hot shoe. Use the RB200 kit, and add cold-shoe mounts to the preamp to add mics or wireless receivers while the preamp is mounted in the hot shoe. Now, with the preamp off the bottom of the camera, you can actually cradle the DSLR for run-n-gun like a traditional DSLR, in the palm of your left hand with your fingers manipulating the focus/zoom of the lens. A single 9v Alkaline battery will run the device for 12 hours, a rechargeable battery about 18hours. More details on the Riggy-Micro RM333 here: juicedlink.com/audio-preamps-mixers-etc-c-66/rm333-riggy-micro Here are some important things to remember. First, you can't eliminate noise from electronic recording equipment (cameras, recorders, etc). The name of the game is to optimize the signal-to-noise. To do that, you want to use the principle of 'noise figure of cascaded amplifiers', and throttle the noisy gain back in the camera, and replace the noisy gain with clean gain from the juicedLink low-noise preamp. If you are you using the 5DMKIII, 5DMKII, 60D etc. you'll want to throttle the gain back in the camera to 1 click above off. Regarding the 5DMKIII, people don't understand that you can turn up the headphone volume in the camera. When the 5DMKIII and D800 first came out, Robert from JuicedLink compared their firmware for audio. This video (somewhere) will show you how to adjust the headphone vol: juicedlink.com/blog/2012/04/5dmkiii-versus-d800/ There are more tips in the User Manual you can find it online here: juicedlink.com/riggy-micro-user-manual/chapter/0 As a point of reference for what you can achieve in terms of signal-to-noise, here's a link to two MP3 files: juicedlink.com/downloaddata/RiggyAssist/ The first takes a NTG2 directly into a H4n (boomed 1.5ft away). To get enough signal into the H4n, the H4n gain is at 100%. The second takes a NTG2 into a Riggy-Assist RA333 into a 60D (gain 1 click above off), and the Riggy-Micro RM333 5DMKIII combo will be identical. The purpose of these clips is to compare the signal-to-noise that you can achieve (ignore the room echo, etc). At worse, they are comparable. The juicedLink/60D combo can generate a better signal, yielding better signal in the signal-to-noise performance. I did this comparison because I too often hear people saying that you need to record to an external recorder like the H4n to get quality audio. This is not true. The juicedLink allows you to record high quality audio directly to the camera. Plus, you'll save time not having to sync in post, you'll get something much smaller/lighter and longer battery life (with the Riggy-Micro), camera overload protection with Audio Output Bracketing, and you can quickly set levels with the Riggy front panel pots (rather than fumbling through the menu system of the H4n). So, you should be able to replicate the signal-to-noise performance in the clips. The 'noise figure of cascaded amplifiers' principle means that a low-noise preamp can fix noisy amps downstream, but you can't fix poor signal-to-noise upstream. So, you can't fix noisy mics, or poorly placed mics Video By Newsshooter.com

juicedlink Riggy Micro RM222 - best field mixer EVER!


If you want a tiny mixer that's well made in the USA look no further than the juicedlink Riggy Micro RM222. The rugged, tiny, powerhouse has all the features we need in the field yet is still so easy to use I could master it in two minutes. That is saying something! Settings are easy to configure for either phantom powered condenser microphones or dynamic mics like the Shure SM57 & SM58. My tests show you can get great audio recorded direct into a Sony A7 camera or other similar cameras with audio level controls. juicedlink has other models for DSLRs without mic input controls. 03:26 Test one using mixer 04:28 Test two straight into the camera no mixer 05:04 Test three using phantom power with a condenser mic So, remember, the best mixer is the one you have with you and this well-made RM222 is so small and light weight there is no reason not to have it handy. Product links: 🤍 9 volt rechargeable batteries: 🤍 coiled 3.5mm to 3.5mm cable: 🤍 Mogami custom 8' cable details (used without mixer - direct into camera): 🤍 Special Note: In the testing when using the juicedlink I had the Sony A7r mic level set to one notch above off. When going straight into the camera with the custom Mogami cable I had the level at 20. To me both sounded good. It's important to note there is not much electrical interference where I did the testing. In the field having the mixer is a bigger factor because the balanced XRL connections at the mic and the mixer can do their magic getting rid of noise picked up be the cable acting like an antenna. Also, using the mixer allows us to use two mics if the situation requires it.

Juicedlink DT454 DSLR


Preamplificador para camaras 5D

JuicedLink Riggy Micro and Riggy Assist Audio Preamps


This video covers the Riggy Micro RM333 and Riggy Assist RA333 XLR to mini, portable preamps which enhance audio recording in DSLR video. JuicedLink Riggy Micro and Riggy Assist Audio Preamps 🤍

JuicedLink: Product Reviews: Adorama Photography TV


AdoramaTV presents JuicedLink. This week Mark will show us a JuicedLink DT454. Its a 4 Channel DSLR Preamp/AGC Disabler. The JuicedLink has many features like a playback monitor, a 48 volt phantom, plus a 12 volt phantom power saving mode and even a low noise preamp. To buy the JuicedLink DT454, and for related articles and videos, go here: 🤍 Visit 🤍 for more photography videos! Send your questions to: AskMark🤍Adorama.com

Juicedlink DS214 Review - DSLR FILM NOOB


🤍 There are many new audio devices being released for DSLR film makers. One of the latest is the Juicedlink DS214. The DS214 is considered the part of Juicedlink's Value line. At about a quarter of the price of Juicedlink's flagship model, the DT454, you can pick the DS214 up for about $144 on amazon or B&H. 🤍 As far as audio quality goes, juicedlink products are top notch. The only real complaint I have is the design. The 1/4 20 hole is in a rather awkward location, and the included audio cable is very short. I used my makerbot to build an adapter that makes the mounting a lot easier. You can find out more about that here: 🤍 Over all, I think the Juicedlink DS214 is a handy tool. Equipment used in this video: Canon 7d & t2i Zoom h1 Canon 35mm f1.4 Sigma 30mm f1.4 Sennheiser G2 wireless mic CPM film tools rig

juicedLink BMC388 4K Overview


🤍 - juicedLink BMC388 Overview Shot in 4K with the Blackmagic Cinema Camera 4K Please RATE, FOLLOW and SUBSCRIBE! Gaming Stream: 🤍 YouTube: 🤍 Twitter: 🤍 Facebook: 🤍 Google+: 🤍 Steam: 🤍

Azden FMX vs Beachtek DXA vs Juicedlink RM333 vs Tascam DR-60d test and comparison - DSLR FILM NOOB


🤍 All 4 of these units are popular options when you need to adapt XLR audio to your DSLR camera. I thought it might be helpful to compare all of these units in a simple set of audio tests. Well worth watching if you are interested in upgrading your audio equipment. You can find my review of the Azden FMX-DSLR here: 🤍 You can find my review of the Tascam DR-60D here: 🤍 A look at the Beachtek DXA-SLR here: 🤍 And the Juicedlink RM333 Riggy here: 🤍 Leave more questions: Twitter: 🤍 Google+: 🤍 Facebook: 🤍

JuicedLink CX231 Unboxing


The JuicedLink CX231 Camera Mountable Mixer / Preamplifier lets camcorder and prosumer camera owners connect professional microphones and line devices to their cameras. The mixer mounts to the base of camcorders and features two XLR inputs for balanced or unbalanced connection of microphones, recorders, additional mixers, etc. The CX231 is capable of providing 12 and 48V phantom power to condenser microphones. A 1/8" (3.5mm) mini output and 9 inch (22.86cm) long cable (supplied) connect to the camera audio input. There are three gain settings and two attenuation knobs for controlling audio level. The High/Mid/Low gain settings help control signal-to-noise ratio, resulting in clear audio results with a low noise floor. The CX231 is powered with a 9V alkaline battery for up to 16 hours (not included) and supplied with an output cable and allen wrench. 12V and 48V Phantom Power XLR connections for consumer and prosumer cameras 1/8" (3.5mm) mini output and cable supplied Accepts balanced and unbalanced signals High, Mid and Low gain settings with attenuator dial Mounts to the bottom of camcorders and tripod tops

Three Audio Adapters for DSLR and Mirrorless Cameras: JuicedLink, beachtek and Saramonic


If you shoot with DSLR or mirrorless cameras and you want to connect multiple lavalier or XLR microphones, an audio adapter may be a good option for you. But can you really produce high quality audio with one of these adapters? Let’s have a listen to three adapters and see: The JuicedLink Riggy Assist 222, the beachtek DXA-Micro Pro, and the Saramonic SR-PAX2. The audio for this episode was recorded entirely with these adapters (noted for each clip) along with a decent to good quality condenser microphone (RODE NTG2 and Audio Technica AT4053b). So that you can evaluate the sound quality from each of these adapters, we did not do any processing of the audio clips aside from loudness normalizing each clip to -23 LUFS, the European broadcast standard for TV loudness. No EQ, no compression, no de-noising, etc. Full disclosure: For this comparison, B&H lent me the JuicedLink RA222, beachtek gave me the beachtek DXA-Micro Pro, and Saramonic gave me the Saramonic SR-PAX2. If you’d like to improve your sound recording skills for film, please have a look at our Sound Recording for Video course over at 🤍 Visit us at 🤍 for more updates on how to improve your lighting and sound for video. Also be sure to subscribe to get new weekly episodes! Gear mentioned in or used to record this episode: ————————————————————————————— Juiced Link Riggy Assist 222 (2 XLR inputs) B&H Photo: 🤍 ————————————————————————————— beachtek DXA-Micro Pro (1 XLR input, 3 3.5mm inputs) Amazon: 🤍 B&H Photo: 🤍 ————————————————————————————— Saramonic SR-PAX 2 (2 XLR inputs, 3 3.5mm inputs) Amazon: 🤍 ————————————————————————————— Also shot with Aputure Light Storm LS1s LED Light, Nikon D750, Audio Technica AT4053b Microphone, Sound Devices 633 Mixer/Recorder, Rycote Cyclone Windshield ————————————————————————————— Aputure Light Storm LS1s LED Light Amazon: 🤍 B&H Photo: 🤍 ————————————————————————————— Nikon D750 Amazon: 🤍 B&H Photo: 🤍 ————————————————————————————— Audio Technica AT4053b Hyper-cardioid Microphone Amazon: 🤍 B&H Photo: 🤍 ————————————————————————————— Sound Devices 633 Mixer/Recorder DVeStore: 🤍 ————————————————————————————— Rycote Cyclone Shockmount B&H Photo/Video: 🤍 ————————————————————————————— Copyright 2016 by Curtis Judd Ethics statement: Some of the links above are Amazon.com, B&H Photo, or other affiliate links.

juicedLink Little Darling Bodypack Audio Recorder


Nick Huston demos the newly released juicedLink DAR123 compact 2-track 16b/48KHz recording unit with 3.5mm locking mic input and stereo output. More details at 🤍

Juicedlink test


juicedlink audio bracketing


I look at a cool feature of the juicedlink Riggy-Micro RM222 mini field mixer. Audio level bracketing could come in handy when shooting in a mixed audio level environment. product link: 🤍

Saramonic SR-PAX2 Audio Adapter Vs JuicedLink Vs Beachtek Comparison made by Curtis Judd


This video is comparing the audio adapters from three brands: JuicedLink, beachtek and Saramonic. If you shoot with DSLR or mirrorless cameras and you want to connect multiple lavalier or XLR microphones, an audio adapter may be a good option for you. But can you really produce high quality audio with one of these adapters? Let’s have a listen to three adapters and see: The JuicedLink Riggy Assist 222, the beachtek DXA-Micro Pro, and the Saramonic SR-PAX2. The audio for this episode was recorded entirely with these adapters (noted for each clip) along with a decent to good quality condenser microphone (RODE NTG2 and Audio Technica AT4053b). Saramonic SR-PAX 2 (2 XLR inputs, 3 3.5mm inputs) Amazon: 🤍 Thank you Curtis for making this video. His channel: 🤍 More details, please click 🤍saramonic.com or email us sales🤍dsqn.biz

Best Sennheiser AVX System Alternative - juicedLink Little Darling


The juicedLink Little Darling is a portable audio recorder that is more geared for lav mics but packs enough plug in power to operate some shotgun mice as long as you have a module attached and also a 3.5mm connector. The juicedLink Little Darling comes in 2 different types. The first 1 is a standard recorder while the 2nd variation features something called Darlink. This allows the Little Darling to receive a signal via a small remote to start/stop recordings and send a slate to a 2nd Little Darling that is connected to your camera for matching your audio in post. The best thing is multiple DARs can be setup to be triggered by a single remote so the versatility of the Little Darling setup is amazing. juicedLink Official Website: 🤍 Purchase Standard Little Darling HERE: 🤍 ­­­* Help support my channel by using the links below! My Equipment (B&H Photo Affiliate) 🤍 *Stay Connected For early access to videos, direct line of communication, updates, and news regarding content make sure you hit me up at the links below! Official Website: 🤍 Twitter: 🤍 Facebook: 🤍 Google+: 🤍 Instagram: 🤍 Pintrest: 🤍 LinkedIn: 🤍 -~-~~-~~~-~~-~- Checkout my latest video: "5 Reasons To Buy The Galaxy S9 or S9 Plus! " 🤍 -~-~~-~~~-~~-~-

Juicedlink Little Darling | Review


Pessoal! Aqui está mais uma review para vocês! A JuicedLink lançou esse gravador de áudio faz um tempo mas só agora ele ficou disponível no mercado. Espero que vocês gostem do Little Darling. Afinal, ele é um "pequeno queridinho"! haha Beijos! Produção: Pedro Miszewski Music: Happy Music music by : soundcloud.com/jeff-kaale

DIY Motorized JuicedLink Slider Kit


More information 🤍 Taking the JuicedLink DIY Slider kit, and adding a cheap DIY Motorized solution. More information at 🤍

JuicedLink DIY Slider Test - Panasonic GH4


Here's my video about this slider: 🤍 I wanted to use this JuicedLink DIY Slider I have for an upcoming TV ad shoot, so I pulled it out for some testing, now that I actually have a camera light enough for it. I'm using the GH4 at 4k, and the footage is edited in a 1080p timeline. My moves were a little bumpy, so I stabilized in FCPx. The song is an original from a 16 year old 4-Track cassette (remember those?). It's called "My Time". I just needed something to put under the shots.

JuicedLink Little DARling | (REVIEW)


In Today's Episode, we review the Little DARling from JuicedLink. "It's Cleverly designed so I Carry em in Every shoot I go." 💥SUBSCRIBE💥 🐦TWITTER: 🤍 👻SNAPCHAT: iamljlee 📷INSTAGRAM: 🤍 📩EMAIL: ljfilms🤍ymail.com Link to Config File and User Manual 🤍 Model Differences DAR123 Base Model Little DARling DAR124RX01 with DARlink Adds DARlink Wireless Receiver Remote control for Start, Stop, and Slate Slate Single remote control simultaneously injects a slate tone into the recorded audio Slate signal also sent out connector, which can be recorded by video camera Enables Multi-Camera, Multi-Recorder production flow that does not depend on wireless range Features Audio Bracketing (aka Dual-Mono) 2-track recording of a single lav mic (not included) 2-track recording on microSD card (not included) Second safety track ~16dB lower 16b/48KHz per track Audio Engineering Society paper shows that higher bit rates do not yield better results. See the Perceived Audio Quality and Bitrate page for more details. Audio Input Locking mic jack (3.5mm threaded) Plug-in power for typical lav mics, including high-quality low-noise professional lavs (such as the Sanken COS-11D) juicedLink low-noise preamp Audio Output Locking stereo minijack (3.5mm threaded) Headphone signal on one channel For mic setup with your talent Mutes during record Can be temporarily unmuted to make gain adjustments, before force mute takes over again See System Actions During Record section in User Manual. User Interface Two 7-segment LED displays for menu settings and level meter Navigate menu settings with 2 front panel buttons See Quick Start Guide in User Manual for menu list and navigation procedure Recessed button for Power / Stop Can not be accidentally triggered (recording stopped, settings altered, or powered down) by talent Config File Text file loaded on card to control advanced DAR settings See Use of Config Files section in the User Manual for more info Power Single AA battery (not included) Lifetime Alkaline: ~ 12hrs NiMH rechargeable: ~ 12hrs Lithium: ~ 20hrs NiCD rechargeable: ~ 6hrs Select battery type in the menu to calibrate battery readings Physical Aluminum enclosure: durable ... not plastic 2 ounces (without battery) Enclosure box: 2.8 x 1.9 x 0.93 inches Two threaded holes/PEMs for mounting accessories (such as belt clip and 1/4-20 mounts) Battery / Card compartment secured by thumbscrew (so can not bust open while in pocket of talent) Locking audio connectors (so talent can not inadvertently remove mic) Included DB002 Belt clip (included) Designed and Assembled in USA

juicedlink $1 dollar mount


A quick and easy way to mount your juicedlink field mixer to your camera. To save $$ you can leave off the quick release and the D Ring screw and use only the shock cord. If you want the hardware I have those links below. Product links: Riggy-Micro RM222 🤍 T.W . Evans Cordage SC-108-050 1/8-Inch by 50-Feet Elastic Bungee 🤍 SmallRig D Shaft D-ring Screw 1/4" (2-pack) 🤍 Mirror plate Stainless steel EDC Key Chain Swivel Snap Hook Clip 🤍

JuicedLink Preamp & Barcket Review - Chad Johnson - DSLR Audio


If you're into DSLR video you need to get the audio thing down. This is a demo of a few JuicedLink products that can help get that audio captured cleanly. Yes I made the jingle too! DT454: 🤍 DS214: 🤍 DIY101B: 🤍 DIY102B: 🤍 JuicedLink Low noise Preamps for your video JuicedLink Juicing up the link to audio JuicedLink Solutions for your DSLR Yo! JuicedLink Low noise Preamps for your video JuicedLink JuicedLink...

Using a JuicedLink Slider


One of my new favorites when it comes to shooting DSLR video is using a slider - this is the JuicedLink which runs roller bearings on two rails. I'm using two 4ft stainless steel rods.

JuicedLink DIY114B Slider Kit Demo


I recently got a JuicedLink DIY114 Slider kit, so I made this little video showing off what kind of shots I can get with it. It's pretty nice, and the price is right. Original JuicedLink Jingle by me! Slider Kit: 🤍 Get rods here: 🤍 Ball Head: 🤍

Tascam DR 40 Recorder vs JuicedLink RA 222 Riggy Assist Preamp Audio Comparison


🤍 Tascam DR-40: 🤍 Juicedlink RA222: 🤍 Rode M1: 🤍 Audio-Technica AT875R: 🤍 Sennheiser G3: 🤍 Canon 5D & 24-105 L: 🤍 This week I test the Tascam DR-40 field recorder versus the Juicedlink RA-222 Riggy Assit Preamp. The test was conducted using a shotgun mic mounted on top of the camera and a dynamic mic handheld. Just to clarify, the mic is mounted on the camera in my echo-y kitchen and I'm a few feet away from it, so it's not about sounding 'good' in any proper way, but about comparing which setup sounds better. The Juicedlink performed much better, having better sound than the Tascam when used with the shotgun, and offering a lot more gain for dynamic mics. If you'd like to see any more tests with this equipment, leave a comment and let me know. Gear used: Canon 5D & 24-105 L: 🤍 Canon 50mm f1.8: 🤍 Sennheiser G3 Wireless Mic: 🤍 Juicedlink RA 222: 🤍 Manfrotto 502 Kit: 🤍 Yongnuo 160 LED Lights: 🤍 Rode M1: 🤍 Audio-Technica AT875R: 🤍

Sennheiser G3 test - Direct to Canon 5D3 versus JuicedLink Riggy


I wanted to test the quality of the audio from the Sennheiser G3 series with Rode Lavalier into the 5D3 with no interface. Now that the 5D3 has an audio out feature, you could potentially bypass any interface. But is the quality up to snuff? This test compares direct to camera versus using the JuicedLink Riggy. No attempt has been made in post to equalize the audio. The sound is direct from camera to create as equal a comparison as possible.

Just a Little Bit | T3i + juicedLink test


Having fun testing out the juicedLink. Shot and written in an under 2 hours. Camera: Canon T3i

Sennheiser MKE 600 Rode NTG2 Beachtek DX-SLR PRO juicedLink RA 222


Die Video-DSLR Audiovorverstärker Beachtek DX-SLR PRO und juicedLink RA 222 an der Canon D5 Mark III mit dem Sennheiser MKE 600 und dem Rode NTG-2

Audio test - Straight 5D3 audio versus JuicedLink Riggy


I was looking for a solution to get good quality audio into my Canon 5D3. I've gotten tired of having to sync in post, especially with deadlines. For this reason I had purchased a Panasonic AF100. However, after the 5D3 came out I wanted to move back to DSLR's, but getting good quality audio was an issue. Then I discovered JuicedLink. However, the only tests I found were with the 5D2. So here is a test comparing the direct to camera audio and audio being fed from the JuicedLink pre-amp. The test was done with a Rode NTG-2 microphone, which accepts a AA battery if no phantom power is available. I did not make any attempt to equalize the audio levels. These are straight from the camera with absolutely no post done to the audio.

Review: juicedLink Riggy Assist RA333


Anthony Burokas looks at the RA333, an audio mixers designed to adapt various microphones to be used with DSLRs.

For those considering a JuicedLink preamp


I purchased the JuicedLink CX211 preamp before the newer DS214 came out. The 211 has 2XLR inputs but no headphone jack or metering. The 214 has a stereo 1/8 input with the headphone and metering. If I could have a do over, I'd probably get the DS211

Beachtek DXA-SLR Pro and the Juicedlink DS214 on Nikon D800


for complete review check 🤍

Test 5D mk III + Juicedlink RM333 + MKH416


Testing sound on 5D mk III + EF 50mm 1.2L with the new Juicedlink RM333 + Seinnheiser MKH 416 mic mounted on top of the RM333, edit in FCPX.

juicedLink DT454 unboxing


I just got the juicedLink DT454 in and unboxed it on camera. This is a great pre-amp that I will use on my Canon 5D Mark II

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